Even MORE Disney weasels

[kishi]

Yeah, that's what I meant. Ink, paint, photographed. Doom didn't come back until they photographed his reconstructed animation cel.

I don't really try to mesh all the different shows together, actually. For me, there's just WFRR and whatever comics/stories are attached to it directly. I could stretch out to Bonkers because it also includes 'Toontown', but even then it wouldn't all be canonical. So we'll just have to agree to disagree with that.

[Fatal hilarity]

I like to think that getting your cel photographed was the only way they could bring back a Dipped toon. I really wouldn't take such an unusual case- reviving a Dipped toon, no matter what the method- as the norm...
And why not have other shows? As long as they don't contradict each other. After all, WFRR had WB characters, so I include anything with WB toons as a basis for that world (although obviously they're mostly acting).
I'm thinking of leaving out Duck Amuck and Rabbit Rampage, since they represent an entirely different idea of how cartoons are made. Unless it varied from studio to studio...

We COULD discuss this sort of thing more thoroughly, if people didn't ignore my posts in the "Useful stuff ta know in Toon Patrol fanfics" thread...
But making a debate out of it wouldn't get us anywhere...

[kishi]

Nah, no debate.

Duck Amuck is one of my favorite Daffy cartoons.

I just meant that I don't expect them all to fit perfectly with one another, since some of them seem to be set in different time periods and all.

[Fatal hilarity]

Different time periods? Well, if they take place in anything after 1947, then they took place after WFRR took place!
Not everything in that world has to be in the '40s. Tiny Toons, Bonkers, and Back In Action all seem to take place in the time period contemporary to their release. It's not like the rules were different in the '40s from what they are in the '90s- just different animation styles and technology.

[kishi]

I dunno, I guess it's because I keep thinking of it as 1980's due to when the actual movie came out, not when it was set. :\ Nevermind.

[Fatal hilarity]

Oh... well, yeah, nevermind then. *feels awkward*

[Fatal hilarity]

Okay... after seeing if any episodes of Bonkers I don't have are available anywhere (currently, they are not) I finally feel that my weasel guide is ready to show to everyone. Hope you like it!

Disney weasels besides the ones in Who Framed Roger Rabbit?

Weasels in stories taking place before, during or immediately after 1947:
(Note: The criteria here is that any of these weasels could've easily lived in the same time period as the Toon Patrol. It is not based on the chronological order of their appearances in our world. It's difficult to say when any of these characters, save for a few, were created/born in the WFRR world.)

“Slithy” (named by me)
The Resurrection of Doom
This sneaky, amoral weasel conceives the plan to bring Judge Doom back from the dead, of all things. It's unknown why he decides to do this exactly, and it makes one wonder how loyal the weasels were to Doom. After all, would he not be more concerned bringing back the Toon Patrol? It suggests that he would get a better result with Doom than with his “brothers”, as he calls them.
The idea that all the members of the Toon Patrol and these three new ones are all literal brothers smacks too much of the Koopalings (that is, they all look really darned different from each other), so it can be assumed that he means “brothers” in the sense of “brother weasels”, or that he considered them to be brothers.
Because there seems to be the suggestion that he wants revenge (presumably because of his “brothers'” death), and is willing to revive someone as dangerous and demented as Doom, I get the impression that he’s slightly deranged.
One problem this comic has is that it appears that they were in fact not making a sequel to the movie, but instead making one to the graphic novel adaptation. This is supported by the fact that Judge Doom has pink skin instead of yellow, like the comic instead of the suggested color he has in the movie, and that Slithy refers to his “brothers” as if they all died of Dip, instead of just Smarta**. Luckily, nothing seriously contradicts the film, so this comic can still be considered canonical.
His most distinctive features are his long, drooping nose that hangs down in front of his mouth, and squinting, wrinkled eyes. His hair is (usually) black and messy. He wears an oversized purple zoot suit and fedora, including loose pants and large awkward shoes. He resembles Smarta** somewhat, which seems to indicate that whoever created him in our world wasn't trying to be original.
If you look closely, Slithy's close-ups reveal that he has actual irises instead of the traditional pupil-only look that a large majority of toons have, and they're colored a bright blue (one panel makes them lime green). This makes him the only known weasel to have an actual eye color instead of just black dots- besides Wheezy, who has (slightly darker) blue irises as well.

“Doofus” (named by my brother)
The Resurrection of Doom
Big, tall and dumb, Doofus represents the first of two big dumb weasels created after WFRR that fall into the same category as Stupid. If his appearance wasn't evidence enough, he only speaks in simple sentence fragments. Other than that, one gets the impression that he's in awe of everything.
He’s unusually tall for a weasel (among the tallest), making it appear that he has considerable strength, and sports a red shock of hair and large round eyes that look on in fascination. He wears a bright green jacket and buttoned shirt, lime green pants, a (usually) blue-green tie, all baggy, and a grey bowler. Again, he resembles Stupid somewhat, further proving that whoever designed these guys took direct inspiration from the Toon Patrol.

“Al” (named by Weasel Freak)
The Resurrection of Doom
A short, bald, and weird-looking weasel who resembles a cross of Psycho, Flasher and Peter Lorre- and most likely the artists were thinking of Psycho. He's rather obviously mentally damaged, evidenced by his large, mostly vacant bulging eyes, and his constant panting and hanging out of his tongue. He rarely (if ever) speaks, so it makes it nearly impossible to tell what he's thinking, if anything. His wide grin suggests that he enjoys observing everything, and his eyes occasionally shift back and forth as if he's keeping an eye out for intruders, but that's the most you get from him.
His head is mostly smooth (besides the usual brown fur) except for some black (or red) hair springing out of the back of his head. His only clothing is a large, Silly-Putty-pink trench coat. Why he wears this exactly is unknown, but it's interesting to notice that he has nothing underneath it and is always clutching it close to himself, like he has something to hide. This is the main reason he reminds me of Flasher.
He's named after Ed the Hyena, whom he strongly resembles, which is why he has a proper name instead of the usual descriptive one. It is generally preferred that unnamed weasels get the latter because of the Toon Patrol, but when a Disney weasel actually gets an official name, it's usually a proper one (like Wally and Winnie). For the most part, though, what their names are, if they have any at all, is unknown.

“Perfesser” (named by me)
“The Weasels’ first very own solo story!”
This tall, white-breaded, and grey-furred weasel apparently teaches other weasels how to be evil, sneaky, and conniving by means of his “Weasel Tech” school, which in this story he sets up in small brick building in place of an art school that went out of business.
A certain Eugene Rabbit (who, despite all claims, is really the star of this story) unwittingly becomes his “first pupil” (whatever that means), and gets treated as if he were a strange-looking weasel for God knows what reason. Eugene isn't much better, since he doesn't recognize them as weasels until the word “weasel” is mentioned and doesn't really question whether or not anything he's being taught has to do with learning how to draw.
Perfesser wears a bright blue graduation gown and cap, which shows that he obviously wants to appear smart. It's doubtful how smart he actually is (especially since he doesn't immediately recognize Eugene as a rabbit), but he has experience being a weasel, as proven by his clear authority over the others. Who the others are exactly isn't clear- that is, whether or not they're his students or part of his gang or staff.
What this story proves is that weasels deliberately make themselves bad guys, and even have it down to a science, or maybe even an art or philosophical way of life. Things like slinking, having shifty eyes, seeing darkness and evil everywhere, and having evil in everything you do are all requirements of being a weasel. Perfesser also includes learning to take a beating as part of it, stating that “in the comics and cartoons, we always take a beating.” This is somewhat confusing because it implies that toon weasels are much more common than they actually are, and frequently get beat up.
Looking at all known examples of Disney weasels, nearly all of them do endure physical abuse, but there aren't really enough Disney weasels in the first place, and non-Disney ones even rarer, and far too much time in between their appearances to really make such a statement and have it be true- or at least be treated as if it was common knowledge. The beating they take is never as extreme as the one Eugene gets, either.

“Pumkin” (named by Weasel Freak and me)
“The Weasels’ first very own solo story!”
This fellow is extremely short and appears to be somewhat goofy and hillbilly-like. His costume consists of a black and orange striped shirt and a large orange hat, reminiscent of Jed Clampett. He's the first to question Eugene's weaselyness, so he can't be terribly stupid.
He's also one of three weasels in this story who has a much shorter and fatter muzzle than your usual weasel, which makes them all look very strange in comparison to the others, especially since Perfesser and Ezra have the correct kind of muzzle (more or less). All three of them also have very large round eyes- even larger than Doofus.

“Puck” (named by Weasel Freak)
“The Weasels’ first very own solo story!”
This guy's about as tall as Perfesser, and wears a lime green trench coat with an orange shirt underneath and an orange belt buckle, and a lime green hat to match. He's the second of three to have short fat muzzles and big eyes. He agrees with Pumkin concerning Eugene's doubtful status as a weasel. He seems about as goofy as Pumkin as well, except in a wide-eyed sort of way instead of a droopy-eyed way like Pumkin.

“Squint” (named by Weasel Freak)
“The Weasels’ first very own solo story!”
Short, with a red and yellow beanie and red turtleneck sweater, and dark brown fur. He almost always squints menacingly, hence his name, and always sort of sneaks around, and only speaks once. He's the third weasel to have a short, fat muzzle. Because of his Dead-End-Kid looks, he appears to be a juvenile delinquent.

“Ezra” (named by me)
“The Weasels’ first very own solo story!”
Ezra's the tallest of all in this particular story, which is emphasized by his ridiculously tall brown top hat, which measures up to a third of his body. He also wears a black jacket, orange bow tie and white shirt front, and sports dark grey fur. Seems to be the most experienced when it comes to what Perfesser teaches, because of his constant sliminess, evil hand-wringing, and undertaker-esque costume and behavior. It may very well be that he's Perfesser's star pupil.
Named after the tall skeletal Hitchhiking Ghost, whom he resembles somewhat.

Winnie Weasel
Beauty Parlor Bedlam
Winnie is clearly meant to be Jessica Rabbit’s weasel counterpart and rival. Whether or not Winnie is to Minnie (Mouse) as Wario is to Mario is unknown. Why she shares the same first name with Pooh is also unknown.
Like Jessica, she’s a bombshell, with an idealized hourglass figure. But because she’s a blonde and Jessica is a redhead, which apparently are preferred, she never got the roles she wanted and Jessica got them instead. Another major difference is her bizarrely large lips, which kind of spoils her otherwise appealing looks. She wears a simple yet elegant pink dress with white trim, gold hoop earrings, and pink high heels.
Her main motivation is revenge, jealousy and the allure of stardom, and when we see her, she has a plan to make Jessica ugly and replace her in the eyes of the public. (And if her thought balloons are any indication, she plans to color her fur grey.) But because she’s a bad-guy toon weasel, who are inherently failures in the face of traditional Good vs. Evil archetypes, her plan goes horribly wrong.

Br’er Weasel
recurring character in Br’er Rabbit/Song of the South comics
Br’er Weasel has proved himself to have the longest career of any weasel character still around today. One could say his roots begin with the Uncle Remus story “How Wattle Weasel was caught” from the collection Nights with Uncle Remus, but it is unknown if any of the folks at Disney were thinking of this story when they created him, and probably unlikely.
Despite this, Br’er Weasel as he is known now was created the same year as the release of Song of the South, in 1946. This both predates the events taking place in WFRR (1947), and the release of The Adventures of Ichabod and Mr. Toad (1949), which is the basis for all future Disney weasels. And because he still makes appearances today, he has the longest career of any Disney weasel ever!
Br’er Weasel, in his normal incarnation (more on that later), has always had the unusual costume of a well-to-do cowboy, with a big, broad white hat, brown or black jacket, string tie, blue pants and brown leather cowboy boots. He also has a distinctive curly black mustache, and always has grey fur. And finally, he can also be seen wearing white gloves on occasion.
Because of his early conception, he has several physical traits not often seen in other Disney weasels. Although the shape of his head wasn’t consistent until his revival in recent years, it tends to be long and pointed, almost like a curved carrot, unlike the rounded, almost sausage-like snout most of the others have. Another distinctive feature is his long tail, where most of the weasels have a short stumpy one or none at all. Although the artists frequently forget to draw it, the only other Disney weasels who have tails that long are the Woozles, Pop Weasel, and “Feral”. Unlike weasels in real life, all except one Woozle have tails with fluffy fur and rounded tips- this includes Br’er Weasel, although it is sometimes pointed like a dog’s (somewhat like Pop Weasel and “Feral”). Finally, Br’er Weasel is rarely seen with any visible teeth, unlike the commonly plain-to-see sharp ones of Mr. Toad and its derivatives (and even then, it would seem that their back teeth are blunt).
After his initial appearances in American newspapers in the late '40s and early '50s, it seems that Disney's comic book artists forgot about him entirely and created several completely new “Br'er Weasel” designs- almost as though they thought the Song of the South-based comics were lacking in a weasel character, and were unaware of each other's versions. As you may expect, this results in a good number of laughably off-model incarnations of Br'er Weasel in the late '50s to early '70s. It wasn't until European artists brought him back in the late '70s that he returned to his original design, which revitalized his career and gave him newfound personality and popularity.
He is most often depicted as a sneaky, conning liar. (More info to come as I collect the comics he appears in...)

Agent von Weasel
Mickey Mouse on a Secret Mission
Amazingly, Br'er Weasel is in fact not the very first Disney weasel, as previously thought. Older still, but with only one appearance to his name, is this stereotypical Nazi weasel from a series of Mickey Mouse newspaper strips made in 1943, three years before Br'er Weasel made his debut.
When Mickey is asked to go on a secret WWII mission to test a top secret plane for fighting the Germans, the Nazi spy Agent (17) von Weasel and the apparently easily-bribed traitor Pete catch wind of it. High-flying adventure ensues.
Von Weasel is a step away from being your ordinary dogface, with a spherical head and large bulbous nose, and if it weren't for his smallish pointed ears, you'd be pretty hard pressed to identify him as a weasel. His most distinctive features are his devilishly arched eyebrows, sneaky grin, and small waxed mustache- a must-have for any devious German stereotype. His fur, despite the presence of a face mask, is at best guess a light brown.
Although he puts on many disguises, his typical outfit appears to be a black vest and pants, a white buttoned shirt and white bow tie or a black necktie, brown shoes, and of course white gloves. When outdoors, he's seen with a black jacket and a brown fedora. Later on, the German stereotyping continues with the addition of a monocle!
His personality is pretty much your cookie-cutter sneaky bad guy/stereotypical Nazi type.

Wally Weasel
The Trouble with Toons!
Wally seems to have joined forces with a different criminal leader after Judge Doom died, namely a brightly colored, big-mouthed toucan mobster named Big Bill. Wally plays the smart one in your classic “smart bad guy, dumb bad guy” duo, making it likely that he’s second-in-command. His partner is Bub.
His appearance, while fairly typical at first glance, shows itself to have some unusual features- the first thing most people would notice is his extremely narrow, almost snake-like eyes, ending in a curl like in ancient Egyptian art. He also has the distinction of being the only weasel known so far to have pointed, spidery, almost graceful fingers and hands, instead of the usual rounded, sometimes sausage-like fingers of all the others. One notices his sharp teeth more than others, as well.
His clothing is fairly simple, consisting of what seems to be his trademark lime green bowler, matching jacket, white buttoned shirt, and pale yellow tie. The coloring is very inconsistent, sometimes confusing him and Bub’s clothing color, and leaving their fur color uncertain. In fact, some panels make it look as though the colorists thought they wore pants.
Otherwise, his expression leaves the impression that he’s frequently sneering or glaring at things, making it seem as though he has a very low opinion of other people, but mostly Bub, who he calls a dummy. He also often seems slimy and angry.

Bub
The Trouble with Toons!
Wally’s large and dull-witted partner, who is referred to as “Bub” a total of three times, is rounder, thicker, and taller than other weasels, but seemingly not as tall much as Doofus nor as thick as Stupid. He wears a blue newsboy cap over his messy hair and a simple purple buttoned shirt with two impractically large pockets in front. Oddly, a cigarette hangs limply from his mouth.
Not much can be said about him besides his obvious dumb, large henchman personality. Because of his similarity to both Stupid and Doofus, these three not-so-bright weasels have been dubbed “the Idiot Club” (by me). Bub bears the distinction of being the only one of the three who smokes.

“Sleazy” (named by Two-Bits/Sodapop)
Roger Rabbit’s Car Toon Spin
The existence of Sleazy comes as a surprise because he’s the only weasel besides the Toon Patrol in the ride Car Toon Spin. Even more surprising is the fact that he has lines. These lines reveal that he has a similar malaprop problem to Smarta**.
Sleazy’s appearance, like so many others, comes from the basic mold of the weasels in Mr. Toad, but is made different by the presence of suspenders (above his sweater) and a patch on his pants. The distinctively baggy fit of his clothes and the patch on his pants gives him an unkempt look, suggesting he has little regard for his appearance. His pants and newsboy cap are greenish blue with black stripes, while what appears to be his turtleneck sweater is a bright green. His suspenders and the patch on his leg are yellow.
Although he was named without any awareness of the same name appearing on a list of names considered for the original Toon Patrol, he has since been given the appropriate traits associated with the word, his sloppy appearance, and the specification of him spewing “off-color remarks” as seen on the list of names.

“Beanie” (named by me)
Good Neighbor Roger
Beanie is perhaps one of the most unusual weasels of all, if not the most unusual, due to him being on the good side. The trouble is that Roger can't quite grasp this concept, and so he flails in uncertainty until he finally meets him face to face.
When Beanie moves in next door to Roger for some peace and quiet (showing his ignorance of who he's living next to), Roger jumps to the conclusion that he's one of “them”, and is out to get him like every other weasel. After uselessly worrying himself over sick with fear and prejudice, Roger struggles with the idea that he may not attack him after all- or in his own words: “Maybe not all weasels have to craven, twisted, greedy, treacherous, toonicidal maniacs!”
Thus, he makes a series of failed and inevitably half-baked attempts to greet his new neighbor with a friendly housewarming gift, in hopes of helping him “overcome his weaselism”- baring the ugly face of irrational fear and prejudice even in someone as innocent as Roger.
As it turns out, Beanie is good-natured and just wants to keep himself safe from trouble, as well as live somewhere quiet. This, especially with his use of the word “weaselcide”, implies that he's faced assassination attempts (although Beanie himself seems to be jumping to conclusions as well, seeing as none of Roger's antics would've done him any bodily harm). Roger's close shave with the police and unintentional damage to Beanie's property is overwhelmingly ironic, but Beanie trusts Roger's word and makes peace.
Beanie wears a chocolate brown beanie cap (hence his name) over his stringy black hair, and a green “wife beater” shirt over a pink t-shirt. His muzzle is particularly sausage-like, emphasized by the wrinkles in his face. His rather gangly figure and messy appearance gives an altogether different impression from his apparent trustworthiness, which probably doesn't help his reputation much. He also has a rather glaring lack of a tail- not even a stubby one like most others- which is most likely a mistake on the part of the artist who drew him in our world.

Four yet-to-be-named weasels
On the front cover of the first issue of the Roger Rabbit comic book series
This quartet of weasels shows with little restraint the general purpose that weasels serve in the world of Disney cartooning- as generic baddies. It's been very much that way ever since Mr. Toad, where the differences between them were mostly the colors of their sweaters, and it's only because of the Toon Patrol that there's any sort of variety.
Nevertheless, the fact that these four only appear once in the background of the front cover of the first issue, shooting wildly from a speeding car at Roger and Benny for no particular reason other than they're the bad guys and therefore out to do Roger harm, show very clearly the appointed role that weasels serve- these four are nameless and without any discernible personalities other than “angry bad guy”, and are only seen in a single drawing.
The fact that this cover has next to nothing to do with the stories inside other than showing who the main characters are seems to imply that whoever designed this cover was set on saying to the buyer, “Hey! This series has weasels as the bad guys, just like the movie!” Interestingly, the two stories in the issue both have weasels in them, as if to fulfill the promises to the reader- funny that one of them would question the bad guy status of toon weasels with the appearance of Beanie.
These four weasels' costumes emphasize their genericness- all but one of them wear nearly identical trench coat and fedora combos, one red with a pink hat band, one green with an orange hat band, and one orange with a green hat band. The fourth is actually somewhat unusual, wearing a matching hot pink jacket and bowler with a notch in front, a red narrow tie, a bright yellow buttoned shirt (the buttons having no particular use, reminiscent of Dagwood's shirt), and bright green pants. Overall this makes him look less like LA in the '40s and more like someone contemporary of the Wright Brothers. Only the one in orange has his mouth closed, while the others all seem be wordlessly roaring- the one in green even has his tongue waggling about.

Innumerable
The Wind in the Willows segment of The Adventures of Ichabod and Mr. Toad
Despite the fact that Agent von Weasel and Br'er Weasel are the very first weasels to be created by Disney, they've been limited entirely to newspaper strips and comic books and aren't very well known- and in Br'er Weasel's case, especially outside of Europe. The Disney weasels that truly started it all come from this unassuming package film released in 1949, and have since served as the basic mold for all weasels since then.
Unlike Br'er Weasel, who is a fully developed villain (especially nowadays), the nameless weasels in the first half of this film singlehandedly established the weasels' status as a generic bad guy, due to the fact that most of them are a nearly identical horde of lower-class British hoodlums in turtleneck sweaters, newsboy caps, featureless pants and shoes. Interestingly enough, it wasn't until the “Heffalumps and Woozles” sequence in the 1968 Winnie the Pooh short Winnie the Pooh and the Blustery Day that Disney had any idea what their weasels' bare feet would look like, it seems. And until the creation of the Toon Patrol, hardly any other weasels besides the Woozles would completely break the mold that Mr. Toad established, meaning nearly all of them wore shoes and looked almost exactly like the original designs.
Only two of the weasels in Mr. Toad are distinguishable from the rest- the cigar-smoking one in the bowler and jacket who appears to be the leader (whose clothes changes color more than once), and the one carrying a rifle and guarding the ill-gained Toad Hall, who also wears a jacket. These two are the ones most often copied.
The weasels' clothing consists of these varieties total:

• Light pink, pink, bright red, baby blue, salmon, pale green, olive green, grey blue, violet, orange, purple, burnt yellow, grey green, medium grey, dark grey, magenta, emerald, orange with burnt orange stripes, coral, green, pea soup green, lime green, orange yellow, red orange, pale red, light brown, grey green, orange cream, and mint green sweaters
  
• Olive green, dark green, orange, light brown, dark violet, dark blue, medium grey, dark brown, dark grey, emerald, purple, grey green, crimson, pea soup green, burnt orange, bright red, green, and lime green jackets (some of which have buttons on the back)
  
• An orange sweater with what appears to be a jacket collar, and another in pale green with two black stripes
  
• A brown green vest
  
• Dark blue, dark violet, grey, dark grey, light grey, purple, brown, light brown, medium grey, peanut butter brown, pale green, black, light blue, burnt yellow, grey blue, grey green, pea soup green, crimson, dark green, brown green, and lavender pants (all of which have suspenders hidden underneath their sweaters)
  
• Beige, light peach, pale green, peanut butter brown, light brown, brown, medium grey, purple, green, burnt yellow, burnt yellow with checker pattern, orange, lime green, baby blue, light grey, yellow, burnt orange, and lavender newsboy caps
  
• Light grey, medium grey, brown, lavender, grey green, light brown, light blue, lime green, green, grey blue, pea soup green, orange yellow, pale green, lime green with a black band, and green bowlers
  
• Grey, brown, dark green, dark grey, black, and dark brown shoes
  
• White and light brown(?) gloves (these appear to be very long for the most part- perhaps elbow length!)
  
• Yellow-and-pink-striped socks (with a hole revealing disturbingly human-like toes)
  
• Light brown and medium grey top hats
  
• Beige and grey blue beaten hats of some other kind
  
• And a baby blue fedora with a black band

Although this may be due to the age of the film, it's interesting to notice that their clothes aren't as brightly colored as future weasels' clothes would be. Looking closely, one can see that they don't have a different color on their bellies and necks to match their muzzles, unlike the Toon Patrol and most weasels after them. Also, they're not safe from this movie's embarrassing tendency to put human fingernails on supposedly animalistic hands...
And of course, we see many more in both versions of Mr. Toad's Wild Ride, especially the Disney World version. Both of them may very well have been the general public's main source of “weaselyness” before the creation of the Toon Patrol, since The Adventures of Ichabod and Mr. Toad isn't exactly a well-loved classic. The variety of costumes and their colors is much more flexible, mostly due to the introduction of stripe patterns (which are very rare in the film, despite an example being seen very clearly in the model sheet).
The varieties seen in both versions of the ride consist of:

• Black, pink, pink with two blue stripes, blue, bright red with black stripes, orange with yellow band, coral, white with a blue stripe, grey and black and teal stripes, grey purple, and emerald sweaters
  
• Brown, green, lime green, and dark blue or grey(?) jackets
  
• Beige, aqua pinstripe, dark grey, medium grey, dark brown, and black pants
  
• An orange vest
  
• Brown, dark brown, grey blue, olive green, red, grey, and bright green newsboy caps
  
• Black, pink, and light grey bowlers
  
• Black and brown shoes
  
• White and light brown gloves
  
• Black-and-white striped prison outfits

There is one known comic book adaptation of the film, and there's the possibility of children's books having original stories as well. So far, though, there's only a handful of known illustrations, all of which lack a corresponding story, and the weasels therein nothing new. They all have seasonal themes- Summer and Winter.
For Summer (at least that’s what it looks like), Mr. Toad, Rat, Mole, and MacBadger are having a jolly good picnic by the river. Two starving weasels emerge from the tall grass and attempt to grab a morsel of their rich people desserts.
The first, wearing a dark red sweater, a burnt yellow cap, and beige gloves, gets hot tea poured onto his nose by the distracted, apparently absent-minded Rat- which is ironic because he’s being distracted by Mr. Toad trying to bring the weasel to their attention.
The second (who seems to not have a mouth), wearing a blue green sweater, a red cap, and brown gloves, takes advantage of Mole’s clumsy falling and catches the spilling cupcakes and petit fours in a net.
For Winter, we see a weasel being pulled out of the icy water of a partially frozen pond by his sweater, held by triumphant Cyril Proudbottom’s teeth. His clothes consist of a dirty yellow cap, beige gloves, a bright red sweater, lavender pants, and brown shoes.
Actually, what's very distinctive about this poor fellow is the look of shame and guilt on his face- it's almost as though he regrets the path he's chosen, now that he's seen the embarrassing spot he's found himself in as a result.

Misc.
WFRR video game adaptations
Although these include at least some of the Toon Patrol members (but never all, strangely enough), the Gameboy version (at least) has some weasels who don't look like any of them. I thought it would be useful to know who's in which game, though.
First up is the version for various PCs, like the Apple II, Amiga, and plain ol' DOS from 1988.
The NES version, from 1989, has Smarta** and Stupid, and nothing more.
The Gameboy version from the same year adds Psycho, but it also includes generic weasel enemies that don't resemble the others. One variation pops out of a manhole to shoot you (Roger) with what's presumably a tommy gun. It looks almost as if Smarta** decided to wear nothing but long-johns... there’s a variation of this guy who walks above ground as well, and this time he wears a black vest, making him look like Wheezy without his hat (this appears to be the most plentiful weasel enemy in this game). Another one (although it looks an awful lot like a teddy bear) pops out of a trash can and throws tin cans at you with both hands. A third, which has an equally featureless outfit as the first, pops out of a window and shoots you.
In both of them, Wheezy and Greasy are nowhere to be seen.

Weasels in stories taking place after c. 1947 to today:
(Note: Since most of these stories presumably take place in a time contemporary to their release, they are listed in chronological order.)
(Note: The dogface variably known as Scuttle or Yardarm, among other things, is simply NOT a weasel, despite all claims, and never will be as long as he has those floppy ears.)

*“Father” (named by me)*
How to be a Detective
As part of Goofy's classic “How To” series, this short pokes fun at the “gritty realism” of detective fiction, making it resemble a game of Clue. According to the narrator, one of the requirements of being a detective is to have a “shady or suspicious character”. Who fulfills this requirement? Why, a weasel, of course!
Predating the opening of Disneyland and Mr. Toad's Wild Ride in 1955, this short came out in 1952 and thus marks the first appearance of a Disney weasel after the 1949 film. Since Agent von Weasel and Br'er Weasel were clearly not in the hearts and minds of the public, Disney began it's long-lived tradition of copying the Mr. Toad designs almost entirely in the majority of future weasel appearances. Even after the creation of the Toon Patrol, the basic body type and muzzle shape are still the norm with few exceptions.
Father here is an almost exact copy of the weasel guarding Toad Hall with a rifle, with a dark green jacket (later light grey), red sweater, red newsboy cap (which later becomes a beret, of all things), dark olive green pants, dark brown shoes, and white gloves (although this time the gloves look like Mickey's- and they too change color, becoming sort of a brownish grey). Also, he has rounder eyes than usual, making it obvious that he was created in the 50's (Disney had a tendency to make eyes very circular then...)
Interestingly, his voice is totally unlike all other weasels, who mostly have high nasal voices- instead, he has an almost inappropriately low and growling voice with an American accent. While it fits the American setting of the short, it's odd that he wouldn't have a lower-class British accent, like we see in Mickey's Christmas Carol- perhaps the audience accepted the American accent because few weasels before him had any lines.
And that's a fact- the weasels in Mr. Toad were mostly silent, save for a few random things like indistinct singing, cheering, snoring, yelling, perhaps some shouts of “Get 'im!” and “After it!”, and the one guarding Toad Hall who says “Who goes there?”. All the ones before them were from comics. Thus, Father is the first to speak in complete sentences.
Father is certainly devious- despite lacking a real gun at first (it's actually a cigarette lighter), he beats the snot out of Goofy, drugs his drink, disguises himself as an elevator operator, and robs Pete of his wallet at gunpoint. After an obligatory car chase, it's revealed that he is in fact a Justice of the Peace! He marries Pete (known as “Al” in this short) with an unknown woman, hence his name. He couldn't possibly be a very good one, what with all his crimes.

Pop Weasel
Chip 'n' Dale comics
Pop Weasel may very well be the most obscure of all Disney weasels (unless you count some of the ones in the backgrounds of Disney’s television series), due to his remarkably miniscule career- two comics in 1959, and another one in 1982, of all things. He is also the second most realistic Disney weasel (the most realistic of all being “Feral”, who comes later), with a long tail and a short muzzle, as well as brown fur and a white-furred belly- his muzzle and neck are completely brown, unlike other weasels and ones in real life. He also runs on all fours when he's chasing his prey. His eyes frequently have wrinkles underneath them, which gives him sort of a desperate look.
In all three stories, little can be inferred about his personality from the few panels he appears in, but they mostly seem to indicate that he has a fairly run-of-the-mill bad guy predator personality- especially since his dialogue emphasizes his desire to eat. It also seems that he's somewhat picky about his prey from the way he carelessly tosses a squirrel (who would technically be around his size) over his shoulder after being convinced that Chip 'n' Dale would be tastier.
He also has a “lair”, which is simply a hollow log. And a “backyard”, apparently, whatever that means. His third and final appearance decades later gives him a radical redesign, which mostly involves the reshaping of his muzzle into a more blunt form of the standard weasel muzzle, as well as becoming red-brown with new white cheeks. He also gets reduced to snarling and growling, with an abundance of spittle, as he climbs a tree to eat Chip 'n' Dale in three panels total.
If it weren't for the fact that Chip 'n' Dale refer to him as “Pop Weasel”, he'd be a completely different character.
(Note: There is a Gottfredson-created character named “Pop Weezil”, but it appears that he's just a generic mouse-like hillbilly, and that his name doesn't mean anything.)

Alf & Toff
“Out to Launch”
Disney comics have a far greater tendency to crossover characters from the company's animation output than the animation itself does, and this story is a very good example: Jiminy Cricket visits England and meets Mole and Rat from Disney's adaptation of The Wind in the Willows, the heart of the Disney weasel phenomenon until WFRR. Because of that film's strong association with weasels, it seems almost obligatory to include them in any story taking place in and near Toad Hall.
This is indeed what they do, and if you don't count the two versions of Mr. Toad's Wild Ride, this is the only known Mr. Toad-related offshoot story (if there are no children’s books), so it makes the second (or third) and final use of the weasels in their original context.
The premise here is that Mr. Toad is finally cured of his “motormania” (I wouldn't bet my money on that, since he still has it in his cameos in House of Mouse), but when a yellow motor launch (a motorized boat) starts causing havoc all around the riverside, he's immediately suspected.
As it turns out, two “tough-looking” weasels (as they are known at INDUCKS, despite the mention of their names) had escaped from jail and decided to lay blame on Mr. Toad by stealing the motor launch and wrecking stuff just for laughs. After they have their fun, they intend to sell it.
Jiminy Cricket, the goody-two-shoes he is (what do you expect out of an official conscience?) plays the hero and runs off with the motor launch. The weasels jump onto it and threaten him with a gun (gasp!), which inspires Jiminy to jump off and let the boat crash into some rocks. They're later “apprehended”, and Jiminy gets a reward for assisting with their capture.
Personality-wise, Alf and Toff are indistinguishable, and mostly remind me of the later Mr. Toad-based weasel in Mickey's Christmas Carol “Nosey” (who I fully describe later). They take obvious glee in the suffering and misfortune they've caused for others- not to mention damage of private property- which is one of the key traits of Disney weasels. Actually, this may be the earliest instance of such a trait, although it's more likely that the WFRR team was thinking more along the lines of the two in Mickey's Christmas Carol instead of an obscure one-shot comic book.
Appearance-wise, Alf and Toff wear the standard weasel fare- both wear bowlers and pants of slightly different shades of blue, while Alf wears a bright purple jacket (which, unusually, is buttoned in the middle instead of being open) and a white shirt, and Toff wears a bright orange turtleneck. Their fur is completely brown, but a close look at the lineart reveals that the artist who drew them intended them to have a differently colored muzzle as per usual- so their completely brown fur could be interpreted as a coloring error.

“Feral”
“The Small Sensation”
Jiminy is obviously not hindered by being a resident of Italy, for in the very same issue that Alf and Toff appear in, another story has him and his overconfident and resourceful cousin “Junior” (how's that for an original name?) face off a snarling, vicious weasel that borders on mid-century zoology book illustration rather than cartooning.
Because this weasel is the most realistic Disney weasel ever- although I doubt the artist used any reference- and displays nothing resembling toon nature or behavior, he's been dubbed “Feral”. It almost looks as though he wandered in from Mark Trail and got lost in the Disney nick of the woods.
I'm not sure what this guy's doing growling and bearing his teeth in a walnut tree for, but he's obviously either really ticked at the two crickets or ready to eat them.
In yet another story in this issue, two gophers Jiminy's talking to mention a scrape with a weasel in passing, who may as well be this guy. Because this story also stars Grandma Duck, who put an end to Br'er Fox's and Br'er Weasel's chicken/egg-stealing in another comic book, it would seem that Jiminy Cricket now lives in a Southern US forest.
(What this means is that Jiminy could easily meet Chip 'n' Dale, the Big Bad Wolf, and any number of “Br'ers” and “Sisses”. The trouble begins when another one of his stories co-stars the mice from Cinderella and the crow from either Snow White or Sleeping Beauty in a neo-medieval castle...)

The Woozles
The “Heffalumps and Woozles” sequence in Winnie the Pooh and the Blustery Day
The Woozles are no doubt one of the stranger chapters in Disney weasel history. One could perhaps include A. A. Milne as an early contributor to the weasel myth, since he created the legendary Woozles (and the largely forgotten Wizzles) in his Pooh story “In Which Pooh and Piglet Go Hunting and Nearly Catch a Woozle” as part of the 1926 collection Winnie-the-Pooh... just second to Kenneth Grahame's 1908 book The Wind in the Willows, which of course resulted in Mr. Toad.
In Disney's version, though- the 1968 short Blustery Day- the animator's imaginations were clearly fired up, and expanded on the myth considerably.
It all begins when the hyperactive Tigger makes his unexpected arrival and proceeds to help himself to Pooh's beloved honey, and being the fickle sort, decides that it's awful and “only fit for heffalumps and woozles”. Right from the beginning, we see that Tigger has a low regard for the mysterious creatures, and since he hates honey now, obviously only things as lowly as heffalumps and woozles are suited for it.
Whether or not they're truly different from elephants and weasels is never made clear, since even he-of-little-brain Pooh corrects his presumably honey-mangled pronunciation and is told that that's what he said all along. It's only when Tigger mentions their dastardly tendency to steal honey does hardcore honey addict Pooh become horrified by the very idea of their existence.
Pooh finds that he can't sleep while knowing his honey is in danger, and so guards it until he falls asleep. The very thought of his honey being stolen disturbs him deeply, and so Tigger's brief description is blown far out of proportion in his nightmares about them. The lyrics of the song that follows show that when someone of very little brain has his most precious possession threatened, they nearly enter a state of panic- the words vividly describe their horrid natures and unearthly powers, sort of like when Y2K had people buying “Y2K-proof” garden hoses and believing that the world was coming to an end.
The woozles themselves deviate from the Mr. Toad mold as previously mentioned in that they're all stuffed animals and come in all sorts of bright colors and patterns, as well as some simplification of the shape of their heads. And like what was said before, we see a weasel's bare feet for the first time (besides Pop Weasel, “Feral”, and some versions of Br’er Weasel), which would, interestingly enough, become the basis for the bare feet of normal weasels in the future, starting with the Toon Patrol.
This sort of free-for-all variety makes for some interesting designs. First off, we have a green and yellow checkerboard heffalump transform into a woozle and back, and when it's a woozle, it's the first and only time we see one that's walking on four legs (unless you count “Feral”). Also, it has a long, pointed tail, and only Br'er Weasel, Pop Weasel, and “Feral” are known to have long tails- none of which are slim and pointed (Pop Weasel's is kind of pointed, but it's more bushy than anything else, while Feral’s doesn’t taper at all). It certainly has animalistic legs, that's for sure.
Next we see a long tall purple woozle for less than a second, wearing a tiny red t-shirt and a straw hat. He gives the audience a knowing grin and wiggles his eyebrows- what he's trying to say is unclear, but it can assumed that he's saying that his transformation skills are impressive.
The next one has the design that forms the basis for all other woozles- a floppy stuffed doll with a large spherical nose and a sort of pear-shaped or orange slice-shaped head with small, somewhat rabbit-like ears at its tip. The long pointed tail appears again, this time a lot thicker and apparently used like Tigger's.
A woozle's ability to bend reality becomes clear when the next one, a light blue one with a partial marching band outfit, expands his nose to become a long trumpet. There are three others like him marching behind, but without the brass-colored muzzles. The long tails look extremely similar to Br'er Weasel's this time, meaning they are no longer pointed. The heffalump's dominance in the minds of the artists also becomes apparent when one of them gets stomped on by the trunk-sousaphone-playing heffalump behind him.
The next ones are a trio of tongue-lolling, chuckling jack-in-the-boxes, blue, red, and green, respectively. These are probably the creepiest.
Next we have a blue one with large green eyes that seem bespectacled, wearing a large turban and playing some sort of faux-Indian reed instrument to do the Indian rope trick bit. This one's one of my personal favorites.
The final purple-colored one certainly has a lot of dignity and polish, because he marches in with nearly a full marching uniform including purple boots and minus any pants, proudly lighting the heffalump that serves as cannon with an enormous match and great flourish. He wisely runs away from the explosion, though. The tremendous sizes that woozles can achieve is made very obvious here in comparison to Pooh.
What's strange is that it's obvious that the animators had a preference for the heffalumps due to their greater numbers in this sequence, and they remain far more popular to this very day. Woozles would play second banana to heffalumps from this point on, being seen less often than them in the TV series and the Disneyland ride and finally having their spotlight taken away from them by the unbearably cutesy Heffalump Movie. Woozles have been a rare sight all throughout their career, and it can only be assumed that it's because of the greater popularity of elephants over weasels. Perhaps the obvious similarity between this song and “Pink Elephants on Parade” has something to do with it...

The “Laughin' Weasels”
America Sings
If Song of the South and Country Bear Jamboree wasn't proof enough that Disney had a love for the music of the south and Americana, then the opening of the America Sings attraction in 1974, two years after the opening of Bear Country, might convince you that Disney has a borderline obsession with our roots.
America Sings replaced the Carousel of Progress, immediately placing a look into our past smack dab in the middle of a land focused on looking into the future- Tomorrowland, that is. It's clear that the Imagineers had a pretty good idea about roots music, but very little idea about anything beyond the late Forties. This is proven by the scraggly hippie rock groups playing Elvis songs, which is something, as far as I know, that was only done at the time by John Lennon diving into his roots, and Sha Na Na being deliberately retro. Even so, no flower child was playing that sort of thing, and the '50s revival was still to come.
What does this have to do with weasels, you ask? Well, one of the characters in the attraction decides to sing “Pop Goes the Weasel”, inciting some random weasel to pop out of a door and sing the final words with a high-pitched giggle. He then randomly inserts the song's ending in between almost every section of the show.
If it weren't for this choice of a song, it'd be impossible to definitely prove if this squeaky, giggly creature was a weasel or not. It probably has the smallest amount of resemblance to any of the other Disney weasels, and it doesn't even look a whole lot like a real one, either. An elongated, tubular body, yes, but it's face is awfully broad and squat for a weasel. Most people I've talked to agree that they look more like rodents. But so long as Disney called it a weasel, we can't deny that it isn't one.
America Sings did fairly well, but when the Imagineers needed a cheap way to create new characters for the upcoming Splash Mountain, it was closed, and almost all the animatronics were used for that ride, including the weasels. Because the weasel had to pop out in each scene of America Sings, there were several figures, so this single weasel effectively multiplied. Since then, they've popped out of holes and presumably sang along with the song “Everybody's Got a Laughin' Place”.
It seems that after the ride's renovation, the weasels were given new, almond-shaped eyes, which only helps them look more like weasels to a very marginal degree. Currently, they wear newsboy caps of various colors- the newsboy cap strikes again!
Because of their annoying, cutesy tendency to giggle a lot in their original appearance, and their current home in the Laughin' Place scene, they've been dubbed the “Laughin' Weasels”.

Sidney
“Mickey and the Sleuth” comic book series
Once again, obscure Disney comic books prove to be a real pain in the neck- just like how difficult finding Br'er Weasel's stuff will be- with the discovery of this fellow from this European series that parodies Sherlock Holmes. Mickey essentially plays Dr. Watson's part (despite the presence of a Dr. Watson parody), and works for the brainless detective “The Sleuth”.
The comics also have a Prof. Moriarty parody, by the name of Prof. Nefarious. And what's a Disney villain without some minions? And since the stories take place in London... one of them is a weasel! You wonder why they're not used more often.
While at first you might doubt that he's a weasel due to his flesh-tone fur (which makes him look like an ordinary dogface), a closer look reveals the basic muzzle shape, the cheek tufts, and Mr. Toad-based clothing that make your usual weasel. The latter consists of a sweater that's usually red, a bowler that's usually blue or black, pants that are usually blue, and shoes that are usually brown or yellow. Because of the comic book industry's tendency to not bother with a definite color scheme, this is rarely consistent.
Otherwise, his design is troublesome: his round, beady eyes express wide-eyed fascination, while his happy, eager smile makes him look like the most doggone friendly weasel ever- even more so than Beanie! If it weren't for his obvious crime-committing, you wouldn't think that he was a bad guy.
Our only hope for figuring out what his beef is is to read all of the comics, which may prove difficult, since they're mostly in European languages and aren't printed anymore.

“Nosey” (named by me)
Mickey’s Christmas Carol
Once again, Disney chose to essentially copy their Mr. Toad weasels for the decidedly nostalgic Mickey's Christmas Carol, which gave many of their classic characters their first roles in decades. This was less than a year before WFRR, so it was truly a sign of things to come- namely, the classic cartoon revival. This short and WFRR were pretty much being made at the same time, so Disney was clearly showing new interest in those crazy weasels from 1949. It's interesting to note that in the time taking place in between The Adventures of Ichabod and Mr. Toad, How to be a Detective, Mr. Toad's Wild Ride and Mickey's Christmas Carol and Who Framed Roger Rabbit?, there was a distinct lack of prominent weasels as they were mostly stuck in the comics. Only the Woozles are of any real importance to mass culture.
(Oddly enough, though, there was a DuckTales episode with Mr. Toad-type weasels in it before the release of WFRR...)
What this means is that there was an initial enthusiasm for the newsboy cap variety, and then an enormous burst of new weasels following the shock wave of WFRR, due to the highly distinctive personalities and prominent roles of the Toon Patrol. It was very wise for Disney to deviate so much from the Mr. Toad weasels, because otherwise there'd be hardly any variety. For a few brief years, weasels were the new go-to bad guys, much like the Beagle Boys of Donald Duck and Scrooge McDuck comics.
And so, these two humble gravediggers seen in the Ghost of Christmas Yet to Come sequence essentially represent the beginning of a new era for Disney weasels. It's too bad, really, that they're onscreen only for a few seconds.
Nosey has the typically used design of the leader with a bowler, and marks the second time we hear a weasel speak in full sentences, the first being How to be a Detective. In fact, if you don't count the Woozles, this is the first time we've seen a true weasel be animated since that short. He wears a dark brown bowler, an olive green jacket, a crimson sweater, dark red pants, and grey green shoes, almost exactly like the design he's based off of. Interestingly, neither of them wear gloves, which is really the first time we've their bare hands, besides Pop Weasel, Feral, various forms of Br’er Weasel, and the Woozles.
The two of them serve pretty much the same purpose as the charwoman, the laundress, and the undertaker in the original story, in that they reveal to Scrooge just how worthless he is to the world around him and how no one will miss him. Nosey is very much a lower class British stereotype, with a nasal Cockney accent.
In an interview, Wayne Allwine reveals that he voiced him, and discusses his use of his nose to create the voice- hence the character's name. Isn't it quite the contrast that the current voice of Mickey should voice a weasel, who by all means represents everything that Mickey isn't?

“Lorry” (named by me)
Mickey’s Christmas Carol
Lorry is named after his voice like Nosey, which is an impression of Peter Lorre. His clothes consist of a dark green newsboy cap which constantly covers his eyes, an emerald green sweater with a large red band, grey pants, and brown shoes. He shares his amusement with Nosey concerning Scrooge's pathetic funeral. One easily notices his long cigarette, which he carelessly tosses away, barely even begun (unless it was really stinkin’ long).
The two of them are probably based on the model sheet used for Mr. Toad, seeing as a weasel with a cap covering his eyes and another with a striped sweater are prominently shown- and there's of course the one with the bowler.

Shifty
DuckTales season 1, episode #34- “Horse Scents”
Shifty, along with his officially unnamed partner, represent the most recent of weasels who come from the basic mold of the two most distinctive ones in Mr. Toad (unless you count some of the ones in House of Mouse)- the guard and the seeming leader- meaning Shifty wears a bowler, jacket, sweater, pants and shoes of various shades of purple (his bowler and jacket are two-toned, interestingly).
The two engage in what could easily be considered typical weasel behavior: making mischief and stealing under the orders of somebody who has money and power. Namely, working for Flintheart Glomgold, shooting darts at Scrooge's horse at his orders, teasing an elderly photographer by playing monkey-in-the-middle with his camera and causing it to break, and kidnapping Scrooge's horse for money, also at Glomgold's orders. Luckily for the good guys, none of these work.
Shifty plays the smart one in yet another “smart bad guy, dumb bad guy” duo, insulting his partner whenever he asks a stupid question. The hierarchy in weaseldom certainly is explicit- who can question that he's the higher-ranking of the two? In some ways, he's a little overconfident.

another unnamed weasel
DuckTales season 1, episode #34- “Horse Scents”
“”, as previously indicated, plays the dumb bad guy role. This time it's different though, as he is shorter than Shifty and just as skinny, instead of being taller and more heavily built like the others. He proves his lack of intelligence by asking stupid questions and saying stupid things, similar to Gracie Allen. Seeing as he practically begs Shifty for a share of the money, it can be assumed that Shifty gets the lion's share and that “” is poorly paid and downtrodden.
*'s clothes consist of none other than variations of the Toad Hall guard's clothes, with a red cap, a two-toned berry red jacket, a dark blue grey sweater, dark violet pants, and crimson shoes.
It is worth mentioning that “” here has almost exactly same voice as “Sleazy”, except a little more whispery. But seeing as he doesn't resemble him very much, it's best to assume that whoever played him happened to do a voice that was considered appropriate for a generic weasel. Or in the world these characters live in, Sleazy's younger brother.
(Note: Currently I have not seen all the episodes, so it is unclear what exact time period DuckTales is supposed to take place. Carl Barks maniac Don Rosa would argue that Donald Duck's and Scrooge McDuck's adventures took place in the '50s, in Carl Barks' heyday, but he undoubtedly considers this series non-canonical/apocryphal, so would it really matter?)

two unnamed weasels
DuckTales season 1, episode #40- “Back Out in the Outback”
Those who are reading this may have observed that weasels are almost always on the wrong side of the tracks, generally lower class, and are either American or British. Even when they wear fancy clothes, it's easy to assume that it was ill-gained.
Well, now you can add Australian to your list of weasel nationalities! (Unless you count Agent von Weasel, who looks to be fairly well-to-do and is obviously German.)
Once again, we see this pair working for a larger, more authoritative boss, like so many others, and it can be assumed that they're to be paid for their obedience and cooperation. This time, a big hulking dogface with the classic Aussie khaki getup (he might as well be called “Bruce”) wants the opal mine that's hidden underneath Scrooge's sheep ranch, and tries to sabotage the business with sheep-shearing boomerang UFOs so he can buy the land and get rich quick.
In other words, it's pretty much a Duck version of a Scooby-Doo episode. And yes, I did say “sheep-shearing boomerang UFOs”. They even sound like Jetsons cars!
This guy's two weasel minions do his dirty work by controlling the spinning gizmos with controls attached to their belts. Unfortunately, they're pretty darn bland personality-wise, and might as well be the same person. Can you say “generic minions with Australian accents”?
One wears an orange shirt, and a green vest, while the other wears a purple shirt and a long brown jacket of some kind. Both of them wear brown hats of different shades, dark grey pants, and brown shoes. Their fur color are slightly different shades of brown as well.

[Fatal hilarity]

As it turns out, my guide is so freakin' long that I maxed out on the number of letters, so I have to post it in two parts:

Stan the Woozle
The New Adventures of Winnie the Pooh season 1, episode #7- “The Great Honey Pot Robbery”
For many, many years, the true nature of Heffalumps and Woozles has been a mystery. Was Tigger just making nutty claims about elephants and weasels? Do they actually exist? Our answer was given without a doubt in this episode of the Winnie the Pooh television series- they do exist and they do steal honey- but it seems no one noticed and Disney made Pooh's Heffalump Movie anyway. “No, no,” they said, “Heffalumps aren't scary- they're nice!”
Accidental (or otherwise) retroactive continuity notwithstanding, the lesson we learn is that prejudice ruins things for everyone. What Stan the Woozle represents is the epitome of a Disney weasel: a feared, hated outsider that wishes nothing but the misfortune of his slightly richer, cutesier enemies and lives a life of crime- and he's darn proud of it. Woozles have stolen honey for so long that it's the only thing he knows, and refuses to accept that they could just ask for it and be friends with Pooh and the gang.
This episode also gives us a deeper peer into the irrational fear that permeates the minds of the good guys- in this case, the residents of the Hundred Acre Wood. Stan, and his much larger and stupider heffalump partner Heff, hide under the beds of their robbery victims. This symbolism-packed hideout reveals a childishness to the demonization of woozles, and also begs the question: How did they get under there in the first place? This is never made clear, especially since Heff is so large and couldn't truly fit underneath, and adds to their mysterious natures.
Stan is also another example of Disney weasels having authority over those who are stupider than they are, further proving the value weasels place on brains. Heff is a humungous wimp, really, so it's a wonder if his role as the muscle is at all successful, and if Stan really needs him.
Stan more closely resembles the woozle in the straw hat seen in the original song sequence, oddly enough, so he looks a tad strange compared to most other weasels. The rings around his eyes make him resemble Dwayne somewhat (who we discuss later). Despite these differences, his costume is rooted in the Mr. Toad design- he wears a dark red newsboy cap, dark blue pants, and black shoes. The rest deviates from the usual fare, since he doesn't wear a shirt of any kind and wears a yellow vest instead, and, most unusual of all, a red bow tie with white polka-dots.
His fur consists of two shades of grey, and we see stitches when the two colors meet in order to convince the audience that he's a stuffed doll. His tail is the most typical of woozles, being thick and tapering- more like an otter's. Weirdly enough, he was an East Coast American accent instead of the mid-Atlantic accents that most of the other characters have. Perhaps it's expected of a weasel, or even of a bad guy, to have such an accent?
There's also a pair of woozles seen in the opening sequence for the series, but it's currently unknown what episode the clip comes from. It should be noted that it appears to be yet another fantasy sequence.

Wooster
The New Adventures of Winnie the Pooh season 1, episode #7- “The Great Honey Pot Robbery”
While Woozles originally could achieve incredible sizes in Pooh's nightmare, Stan's stature says otherwise. Wooster, on the other hand, is a true giant, and no doubt among woozles (and just about any species or manner of stuffed doll, for that matter).
Wooster, despite his size, is something of a disappointment, really, because whoever designed him decided to go with two of the biggest clichés of large, intimidating cartoon characters: a ridiculously oversized chest and a big, round chin. This makes him sort of look like the woozle version of Aladdin's genie, which has more of a comical effect than anything. Worse, it makes his muzzle completely blunt, and not even the Laughin' Weasels have totally blunt faces. Otherwise, his head is typical of a woozle.
Wooster's “fur” is made up entirely of large, mismatched patches, mostly of various shades of purple, which is probably meant to add to his primitive appearance. Interestingly enough, this also draws your attention to his pointed, claw-like toes.
But if it weren't for Pooh's idiocy and naïve innocence, everyone would have run in terror at the sight of him, and the woozles' status as an enemy would've never have been questioned. No one, not even Stan would've believed it would be possible to make peace with these creatures-of-many-negative-adjectives. Luckily, Pooh was just as stubborn with his beliefs as anyone else, and made a gentle giant out of the lurching, mostly monosyllabic Wooster.

3, 10b “A Bird in the Hand”

Innumerable- Renaissance style!
The Prince and the Pauper
Once again the weasels play the role they are best known for: someone else's obedient and largely indistinguishable lackeys. This time, it's proven that their costumes don't really matter, and that the only requirement of this role is their behavior- and so, they fit right into the period's guard armor with little questioning. Although this makes them stand out from the rest, who mostly wear street clothes, they are made no less generic by being almost entirely voiced by Charlie Adler doing a cheesy English accent. Charlie Adler is notable for lacking variety in his voices, so it makes it seem like Disney wasn't trying very hard- despite the weasels returning to their British roots. It doesn't help that you rarely see their eyes.
One minor twist to their role is their ever-so-slightly higher status above those they abuse. Instead of causing mayhem and havoc to get revenge on the middle and upper classes, they bully and torment the peasantry. They enjoy it too, as seen by their frequent screeching laughter. It seems that they have it pretty cushy under Captain Pete's rule, seeing as they praise his dastardliness through a parody of “The Mickey Mouse Club March” (emphasizing their anti-Mickeyness) while sloshing kegs of some alcoholic beverage.
They probably take the heaviest physical abuse of all weasels, being knocked over and flung about in hordes like so many bowling pins and having their heads squashed by Pete's meaty fist. (It's this sort of beating that may explain why they seem more terrified of their superiors than most.) We also see a long-delayed return of truckloads of weapons being flung through the air, which hadn't been seen since Mr. Toad. This strengthens the weasels' association with sharp objects.
After so many years of almond-shaped eyes inspired by the Toon Patrol, we see their eyes at their tooniest- round and spread apart- like an exaggerated version of Mr. Toad eyes. Somehow it doesn't look quite right. What truly sets them apart though is the vivid yellow color of their eyes, which is actually somewhat rare- in most cases it's a paler shade of yellow, and more often they're just plain white. Their teeth seem like exaggerated versions of Mr. Toad as well.
Interestingly enough, we see a bit more variety in the video game adaptation- the final level of the decidedly nostalgic Mickey Mania. One of the variations, who fires arrows with a crossbow at our hero, looks suspiciously like Stupid. Another one, who sneaks around on tiptoes and throws daggers, is much more ordinary- like a more comical version of Smarta**.
There are also weasels inspired by this featurette in early levels of the fantasy-themed video game Legend of Illusion (also starring Mickey), who seem to just be sort of standing or walking around waiting to be attacked. At the end, you can see ex-King Pete and one of these weasels at a prison rock quarry in classic black-and-white prison stripes.

Dwayne
Darkwing Duck season 1, episode #5- “Night of the Living Spud”
Psycho may have his razor, but he still isn't as creepy as Dwayne...
Actually, it's not certain whether or not he's a weasel- he looks more like Wile E. Coyote, really. He has rather large feet and broad cheeks, when the only protrusion on the sides of most weasels' faces is their ears. He does have the basic muzzle shape and coloring, though...
Dwayne is a hick truck driver who rambles on about secret government alien transportation and bizarre cryptids worthy of of any crackpot cryptozoologist, no doubt making any hitchhiker he picks up cringe and wish he had gotten picked up by some other driver. From the looks of things, his strange obsessions with the supernatural resulted from hours and hours of night driving, the dancing of light and shadow messing with his bumpkin mind.
Dwayne is a rather gangly fellow with long arms and wearing nothing but denim overalls and a straw hat to emphasize his figure. He constantly chews on a twig of wheat for no other reason than to prove his role as a simple country boy. His hat casts shadows over his wrinkled, glowing yellow eyes, which pierce the night and seem to reveal something disturbed within.
He seems to have considerable influence over the superstitious and gullible locals, proven by the fact that you can say “Dwayne sent me”. It's doubtful if he deserves such respect, though, since most of the claims about monsters in this Halloween-themed episode are rather absurd.
...Wouldn't you like to be trapped in a passenger seat next to him?

Weasel Kid
Darkwing Duck season 1, episode #29- “Whiffle While You Work”
The residents of St. Canard are certainly no less prone to weasel typecasting, as seen in this NES-style, 8-bit game called Whiffle Boy, which is essentially their version of Megaman. It is proof of how far we've come in the world of Disney weasels (or perhaps how short we've fallen?)- because the main villain in this game is of course none other than a weasel, but despite the completely different setting, we STILL immediately assume that he's a bad guy without question. And we still are meant to laugh at his easy defeat, if the game's sassy, hi-tech voice synthesis is any indication. “Suck eggs, Weasel Kid,” says the cold, unfeeling female voice.
The game is truly a new environment for a weasel (if not a new role), due to its decidedly futuristic feel. His clothes complete the look- not only does he have a blue laser cannon for an arm, he wears a green sleeveless shirt with a black collar, black, green-rimmed visor sunglasses, tight black pants, and green boots. He's no hoodlum of the dark city streets- he's a hoodlum of the future!
Other than that, he's almost completely devoid of any personality, besides his obvious desire to do away with Whiffle Boy, shown by his frequent screeching of the words “Get 'im! Get 'im! Get 'im!” in a tiny, scratchy, supposedly 8-bit voice. It doesn't help much that he's grimacing all the time.
It turns out that Whiffle Boy isn't much better, because the whole thing is revealed to be one big, freaky childhood feud between two neighbors when Weasel Kid's father shows up, feeling very unhappy about Whiffle Boy picking on his kid.

Daddy Weasel
Darkwing Duck season 1, episode #29- “Whiffle While You Work”
Daddy Weasel is another extremely unusual weasel, which is entirely due to the fact that he's a giant mecha robot. It just goes to show that the game is a surreal version of growing up, because Daddy Weasel here is a version of the big, brutish, protective father.
Very little can be said about his personality, other than his clear enjoyment of being so huge and destructive, which is what his deep, rumbling laugh seems to imply. He couldn't have been very bright either, if simple trickery gets him crushed by a train.

Smarta** clone
Mickey's Dangerous Chase (Gameboy)
In this obscure game for Gameboy, we see that one of the enemies is a weasel, wearing a zoot suit get-up similar to Smarta**, with additional pants. One can infer that they're working for Pete (again), who for God knows what reason steals Minnie's new pet bird.
This makes the second of four instances of weasels working for Pete- the others being The Prince and the Pauper (and it's level in Mickey Mania), Legend of Illusion, which was released after this game, and the House of Mouse episode “Pete's House of Villains”. Why Pete? I guess The Prince and the Pauper is to blame.
Because they're your basic 8-bit enemy, these fellows either walk back and forth or hop around and nothing else, hoping you, the player, will run Mickey into them. In later levels, you see them driving cars, trying to ram you.
“I'm gonna ram 'im!”

background weasel
Bonkers season 2, episode #6- “CasaBonkers”
(Note: The musical segment in which this character appears first aired as the short “The Rubber Room” as part of a collection of shorts that made up episode #19 of season 1.)
This little guy might be a weasel, but who can say for sure since he isn't specifically based on the Mr. Toad or WFRR designs, or have any real role whatsoever besides filler? We can only go with the shape of his head, really. Some confusion stems from most of the audience consisting of toon wolves and dogfaces, who often have similarly shaped muzzles.
Anyway, this guy wears a cream shirt, a brown vest, a brown bowler, and a smile on his face. His muzzle doesn't have a separate color.
This is why I hate crowd scenes sometimes.

Greasy clone
Bonkers season 2, episode #8- “Of Mice and Menace”
When Bonkers goes through the police files to search for a suspect, he looks at a number of Disney villains' profiles, which include mugshots. Everything looks normal as Bonkers fulfills one of this show's requirements- making in-jokes- and brings up John Worthingthon "Honest John" Foulfellow from Pinocchio, Shere Khan from The Jungle Book in his TaleSpin form (go figure), and... Greasy??
Well, not quite. He doesn't look exactly like Greasy, because his clothing has entirely different colors- which is what makes this guy a real mystery. His profile is only on for about a second, but it still didn't escape my eye.
Now, there can be no doubt what the animators intended to do, which is give Greasy a cameo, but the ink and paint department clearly wasn't as knowledgeable and probably thought “Oh, it's a weasel- like in Roger Rabbit,” and gave him whatever colors they thought were appropriate.
His hat is now a beige color with a black band, and his jacket is sort of greyish dark purple. His shirt is sort of a greyish lavender and his tie is crimson, as is his pants, which seem to have a black belt or cummerbund.
One possible explanation for his presence on a Hollywood police computer is that the police dept. recently digitized their files, so it could date back to sometime in the '40s. Of course, photos then were more often than not in black and white, so who knows why he's colored that way. Perhaps somebody colorized the photo incorrectly...
Another far less likely explanation is that some weasel in the early '90s was running around dressed like Greasy, but in different colors. It goes without saying that this sounds like a pretty silly idea- I mean, could a weasel idolize Greasy enough to imitate him, but want to set himself apart from him by using different colors? Crazy things can happen in Toontown...
For anybody interested, he's numbered #0284-7524.
Further ink and paint hijinks ensue when we later see Bonkers looking at Chernabog from the “Night on Bald Mountain” sequence in Fantasia, but he's red instead of deathly black.

police line-up weasel
Bonkers season 2, episode #10- “The 29th Page”
During a chase sequence in the police station Bonkers runs through a line-up of various Disney villains, consisting from left to right of a Beagle Boy, Horace and Jasper from 101 Dalmatians (one of whom Bonkers calls “Joe” for some reason), a Mr. Toad weasel and the Big Bad Wolf. Who would've guessed that an ordinary weasel would be on par with these guys?
The weasel, who just stands there grinning mischievously like any self-respecting weasel should, wears a dark blue newsboy cap, a dark purple jacket, a pale lavender turtleneck, nearly-black grey pants, and black shoes. He looks at Bonkers as he walks past him with a frown, probably because he got him arrested in the first place- or maybe just because he's a good guy. Or maybe he just bumped into him, I don't know.

Wacky Weasel
Bonkers season 3, episode #13- “Get Wacky”
Wacky is supposedly “the most dangerous toon criminal of all time”. I guess nobody remembers Judge Doom, then? He seems FAR more dangerous to me.
However dangerous he really is, relative to anyone else, he does manage to strike fear with the mere mention of his name. According to Bonkers himself, he starred in a series of cartoons where he was never caught by his pursuers, and has incredible skill as a toon. In his words, one of the reasons he had to quit show business was that Wacky was “just too awesome”. I fail to see the truth in this, considering the pilot episode makes no mention of Wacky, but it is reasonable to assume that Wacky was quite the competition.
It can be inferred from his behavior running around in the streets that he was one of those sneaky, clever, mischief-making toons that caused havoc and mayhem for no particular reason other than his own amusement- sort of like Screwy Squirrel. Indeed, he has greater control over toon physics than any other weasel, being able to change costume in an instant, which is most likely why he has remained so elusive (and you know how even the cheesiest toon costumes fool everyone, no matter what). The only reason he wound up in jail was because he broke into it, falling prey to a pun due to hearing that there were “bad eggs” there. Otherwise, no one has “outtooned” him, or in layman's term, outsmarted him.
Which brings us to to this: Wacky is the only known Disney weasel that actually steals eggs, besides a single variation of Br'er Weasel (and whether or not he counts is up to debate). After all these years of weasel stereotyping, the long established egg-stealing trait is not one that has been brought up until this cartoon. In fact, out of all the hundreds of cartoons I've watched over the years, I have not once seen a weasel toon who stole eggs besides the two I mentioned. Chickens, yes, but not eggs. The only reason I know about this tendency is through word of mouth. Why is this?
Wacky doesn't at all fit in with the other Disney weasels, besides his basic design and role as a bad guy. He's a trickster, not a hoodlum or minion, and takes advantage of toon physics, whereas the average weasel has an enemy in toon physics. What's up with this guy?
What may explain all this is the possibility that Wacky, in the world WFRR and Bonkers takes place in, isn't technically a Disney weasel. Roger is technically a Maroon Cartoons star, and Bonkers worked for Wackytoons. Could it be that Wacky was created by some other studio besides Disney? No one mentions who made his cartoons.
This may also explain his frequent, wild laughter- you may ask yourself: shouldn't he have killed himself by now, like the Toon Patrol? (Nevermind the fact that the Toon Patrol's vulnerability to such a death has unknown causes.) It's possible that only toon weasels created by Disney have this weakness. Whatever the case, Wacky finds the messes he creates highly amusing.
You're probably thinking: can nothing stop this maniac? He was never caught in his cartoons! Surely it's his nature to be uncatchable? Well, what Bonkers' friend * figured out is that all he has to do to capture him is to treat the situation as if it were his cartoon, instead of Wacky's. How does that work exactly? Is it just a simple case of mind over matter? Wacky technically isn't in one of his cartoons, for one thing- he's not any set. Do toons just treat life as if it were one big cartoon? Admittedly, Bonkers did put up a set with props and everything.
Another problem is that Bonkers may be a hero toon, but he's a hapless toon- one of those toons that always has the worst of luck or jinxes everything, like Roger (who he's based on). He's not really a capturer, per se, nor a trickster. Despite this, Bonkers just simply believed he could “outtoon” Wacky, so he did- effectively using a placebo to send Wacky to the clink and destroy his reputation.
Wacky has an unusual costume, due to having a more modern look. One would most likely above all notice his long flowing hair (which in my opinion looks better than Greasy's). His jacket seems to be a weird cross between a trench coat and Smarta**'s jacket, colored hot pink with yellow buttons and an upturned collar. The most ordinary thing he wears is his matching pink newsboy cap.
For God knows what reason, his fur is made up of shades of green and yellow green, and has noticeably oversized feet. His mouth is wriggly, with two prominent fangs in front, and his eyes are irregularly round, which make him look appropriately crazed. He also lacks a tail for some reason.
One question that's left unanswered is when exactly he left his show biz career for a life of crime- all we really can guess is that he's been at it for quite some time, especially since one of the characters in this episode used to work for him. My personal theory is that he just started having too much fun during a shooting, and escaped the studio to continue his antics, never to return.

Mickey Mouse Works

salesman weasel
Mickey Mouse Works season 2, episode #1, short #4- “Mickey's Mechanical House”
(Note: This short also appears in Mickey Mouse Works season 2, episode #6 as short #3, House of Mouse season 4, episode #10- “House of Genius”, and the Halloween special Mickey's House of Villains. Don't ask me why it's so popular.)
When Mickey's house becomes too much of a rickety nuisance, and John Cleese the narrator agrees in Seussian fashion, Mickey decides to move into a house of the future! This smarmy, grinning weasel salesman pitches it's many cutting-edge technological conveniences. You'd think Mickey of all people would suspect something fishy when a weasel is selling him a house, but I guess good ol' Walt's enthusiasm for progress rubbed off on him, making him dazzled by the house's chrome-plated sheen. As it turns out, the house is pretty much one of those HAL-esque robotic dictators.
This guy certainly doesn't have the best of fashion sense, although he still sports bright colors, which is a weasely tradition. The main thing is that he wears these Mickey-style white gloves and lumpy golden brown shoes. Otherwise he's fine, if you consider that he's supposed to be a tacky salesman- he wears a creamy yellow jacket, a cream-colored shirt with an upturned collar, and a tie that matches his shoes.
Mickey Mouse Works season 2, episode #2, short #5- “Mickey's Piano Lesson”
(Note: This short also appears in House of Mouse season 4, episode #9- “Mickey and the Culture Clash”.)
What, a weasel that appears in more than one cartoon? What a concept! Unless you count the Mr. Toad weasels, which I don't. Anyway, this weasel at least has the same head. This time, it's only a brief cameo, where he serves as an audience member who gets startled when Mickey runs into the auditorium.
House of Mouse season 4, episode #6- “Music Day”
This guy's final appearance occurs some years later in this episode, as a photographer for Huey, Dewie, and Louie's genre-jumping pop/rock trio, with a different voice. Nevertheless, he has a distinctive design, so I include this incarnation.
His costume now consists of a purple jacket, a bright lime green shirt, a red tie, and of course those white Mickey gloves.
He plays a relatively peaceful role this time, inadvertently causing the trio to break up when he asks the “leader” to be in the middle, not realizing that no leader had been established. Instead of being horrified, though, he seems to see it as a big scoop, if his wide-eyed smile is any indication- which would be more typical of a weasel.

restaurant weasel
Mickey Mouse Works season 2, episode #2, short #2- “Donald's Dinner Date”
(Note: This short also appears in House of Mouse season 1, episode #15- “Goofy for a Day”.)
Similar in design to the salesman weasel above, this guy appears in a crowd shot that cheers on waiter Goofy's antics, much to the annoyance of Donald and Daisy. He wears a grey suit with a white shirt and red tie and white gloves. Strangely enough, he seems to have a single blunt tooth.

“The Weasels”
Mickey’s Speedway USA (Nintendo 64)
As if you couldn't get any more generalized, this racing game simply refers to its weasel villains as “The Weasels”, assuming that the player would immediately understand that they're bad guys, even though they had never seen these particular weasels before. It's almost as though giving the Toon Patrol distinctive personalities was for naught- these guys could be ANY weasels, but they would still just be “the weasels”.
Just who are “the weasels” exactly, anyway? You don't actually know. But they're weasels, so they must be bad guys, right? At least with other bad guy collectives, like the Beagle Boys, you get a proper introduction and a long, detailed history to associate with them. This simply isn't the case with Disney weasels... there's really only handful of them around the world- unlike the Beagle Boys' thousands of appearances- and very little explicit information about them. So in reality, a small handful of appearances was all anyone who played this game had to go on.
The strangest part of it is that “the weasels” themselves refer to themselves as such. Maybe they figured Mickey would make the same assumption that the game designers made of the players.
With this artificial implication in mind, we ask: what dastardly deed have they committed this time? Why, they've kidnapped Pluto because of his “diamond” dog collar! For some reason this is worth driving cross country in order to make their getaway. Why not just take the collar instead of the dog with it? From the looks of things, they wanted to partake in animal abuse as well. And it's not the first time Pluto has been mistreated by weasels- they threaten to kill him in The Prince and the Pauper.
As can be expected, these three weasels aren't terribly interesting to look at. At first they have the usual Mr. Toad fare, with dark green sweaters and icy pale green caps. With each level they taunt Mickey with a “Wish you were here” postcard from the latest racetrack, in which they abuse Pluto for their own amusement or gain. In Indianapolis, they have pit stop get-ups, with orange suits, white shoes and gloves, and bright blue baseball caps. In New Mexico, they sport black sunglasses and grey and burnt orange shorts while getting a tan. A bigger problem than their costumes, though, is that they have really short bodies, which makes their heads look really big.
All this teasing and effort was wasted since the diamonds turned out to be fake. I guess you can't trust a weasel to stop at the local jeweler...

***
Mickey Saves the Day: 3D Adventure (PC)
Little is currently known about the role that the weasels play in this game, but we do know that they steal Daisy's bike at one point and guard what appears to be a toll booth. It's possible that they're working for Pete again as well. What makes them highly unusual is that they're completely naked, except for their hats and, in one case, police badges.

House of Mouse

agent
House of Mouse season 1, episode #3- “The Three Caballeros”
The Mickey Mouse Works and House of Mouse series can cause a good deal of confusion because the shorts they show almost completely overlap one another. So there must be a distinction made between the two, because the shorts originally come from Mickey Mouse Works, before House of Mouse, and the latter has new animation in between the shorts. Some shorts were made specifically for House of Mouse, and some remained Mickey Mouse Works exclusives, which will be noted.
And so, whenever a weasel shows up, ones from the shorts will most often come before the ones that appear in between the shorts on House of Mouse.
This guy is the first to appear on House of Mouse, and in contrast to the salesman, he has a much more traditional Mr. Toad-based head design. He deviates from such a design from having an extremely narrow waist. Otherwise, he has a pretty ordinary costume for any toon: a dark green jacket, green pants, a peach shirt, black tie, white gloves, and black shoes. He carries a brown suitcase.
The reason he shows up is because Donald is disappointed at the lack of recognition he has compared to the other two Caballeros, and so he decides to turn himself into “The Duck Formerly Known as Donald” and wears some weird rapper outfit. With this comes a new agent, who Mickey has to go through, including the agent's agent and their legal team (who all look freakishly alike), in order to talk to Donald.
I guess he qualifies as a typical weasel because acting agents are known to be... sharks? I wouldn't really know. He does inflate Donald's ego and blatantly advertise him... but what I notice most is his collection of clones.

“Cheesy” (named by my brother)
House of Mouse season 1, episode #9- “Rent Day”
This weasel has a pretty cushy job as Mickey's drug dealer- er, cheese seller. In fact, I wouldn't be surprised if he relishes in encouraging Mickey's cheese addiction and causing him to spend the rent money. What other weasel has access to the Mouse himself, with the ability to indulge his one true weakness? And they said it'd be a lousy job, working at a cheese store...
And it's a good thing it isn't, because otherwise the indignity of being forced to wear a giant piece of cheese for a hat would be insufferable for a weasel. It's even dopier than the hats at Hot-Dog-on-a-Stick, what with the yellow cheese and blue brim. The uniform also includes a dorky red bow tie, a baby blue collarless jacket, and a white shirt.

truck driver weasel
House of Mouse season 1, episode #12- “Thanks to Minnie”
Because one-trick-pony Clarabelle spread the rumor that Mickey thought Minnie wasn't needed, Minnie quit, and the club begins to fall apart. Minnie apparently took care of the bills, so the club's huge widescreen television gets repossessed without her. The whole thing, ripped straight out of the stage wall, is taken away by a truck, driven by this weasel.
Once again, he's more or less based on the Mr. Toad design, wearing a dark grey turtleneck and dark blue newsboy cap. Even he's gotten wind of the rumor, and grins at the thought of the trouble Mickey is in.

law firm weasel
House of Mouse season 1, episode #15 “Donald's Pumbaa Prank”, short #1- “Mickey's April Fools”
After Mickey gets a kick out of playing mean tricks on Minnie and Mortimer on April Fool's Day, he gets a taste of his own medicine when the law firm that's offering him a million-dollar inheritance believes that he's dead (due to one of his more elaborate pranks). The weasel behind the desk doesn't seem to believe his own eyes, despite Mickey's best efforts.
This weasel is arguably the most unattractive of any Disney weasel, sporting an enormous sausage-like schnoz, a wrinkled grin, and squinty, beady eyes. Possibly most unusual of all, his muzzle color extends to around his eyes, forming a face mask. He's also rather fat.
He wears a grey blue suit with a single gold button, white shirt and red tie, a matching red hanky tucked in his breast pocket, and white gloves like the salesman. His pants are beige, and his shoes are goofy-looking black and white wingtips or something similar. He also wears a pair of tiny round spectacles that sit on the bridge of his nose.
It's just as well that he's so weird looking, since it's doubtful this person actually exists- twice, it's revealed that it's only a disguise, and is really Mortimer and Minnie, respectively.

two Mr. Toad weasels
House of Mouse season 2, episode #4- “Max's Embarrassing Date”
What could be merely a random decision of whoever was choosing who would appear in the background, is the presence of these Mr. Toad-based weasels. Strange that among all the weasels in this series (and Mickey Mouse Works), only these two are directly based on the original classic designs, despite Mr. Toad's occasional cameos. It's almost as though the Disneyland ride's toning down of weasels caused Mr. Toad himself to be less associated with his nemeses...
Anyhow, this time their clothing consists of a baby blue sweater, blue pants, and a lavender newsboy cap on the right, and a dark grey jacket, olive green sweater, crimson pants and a light brown newsboy cap on the left.
After Goofy finishes his huge pratfall, we see that he smashed their table and knocked them to the ground, and apparently were sitting near Mr. Toad for whatever reason. Whether or not they were trying to trick him into giving them Toad Hall again, especially since he wasn't seen in their first shot, is up to debate.

moar weezils
House of Mouse season 4, episode #4- “Pete's House of Villains”
It is truly sad to see the enthusiasm for weasels fade and the variety created by the Toon Patrol disappear. In some ways a lot of Disney weasels nowadays are even more faceless than they were in Mr. Toad! These guys have almost no clothes! Mickey Saves the Day was released just around three years before this episode aired, and they were almost completely naked as well. It's a strange contrast to the interesting variations seen in the rest of this series...
These guys are particularly disappointing because it was rumored that they were the Toon Patrol themselves. But alas, they are not- so whoever started that rumor was simply being ignorant, assuming that because they have similar body and head shapes and fur color, that they could be nothing else but the Toon Patrol. What that tells us is that the person thought the Toon Patrol weasels were the only weasels, and that their costumes didn't matter. Sheesh, at least check to see if they wore similar clothing!
But I digress- Pete, who has always been a big blowhard, thinks that the show Mickey is putting on stinks and that he could do better. So what does he do? He appeals to those Disney fans that are obsessed with their villains and hires them to do all of Mickey's staff's jobs!
The trouble begins when a group of weasels, who wear nothing but red bow ties, steal gold from one of the customers- Prince John from Robin Hood. When it turns out that the villains Pete hired are ruining costumer satisfaction, he fires them all, but not without some struggle. The weasels replaced the usual waiter penguins (which is more of a direct reference to WFRR than these weasels are, and also explains the bow ties), and they object to being fired- so they drop a safe on Pete.
And the moral of the story is: don't hire weasels as waiters, or they'll rob the customers. Also, if you try to fire them, they'll rebel against you. C'mon, Pete- they've been faithful to you so far! Don't expect them to serve people food when their specialty is crime! Firing them is just gonna tick them off. Where else are they gonna find jobs? Besides cheese stores, I mean.

tour guide
“Maybe I'm a Maze” (D 97415)
This fellow's weaselyness is wracked with uncertainty, due to the presence of bushy mustache-like tufts directly underneath his nose, which makes him look vaguely like a Scotty dog. Otherwise, all the basics are there- long muzzle, narrow eyes, small pointed ears, short legs...
Little is known about this guy, except that he's a tour guide for some old hedge maze, which apparently used to be holy ground. When a fat loudmouth pig tourist desecrates the sacred place, he flies into a rage of fearsome religious fervor, revealing that the maze is alive and will attack them. It would seem that this guy is a remaining worshipper, and may have magical powers.

Walter Weasel
“Walk the Straight and Narrow” (D 2006-340)
There can be no doubt that Walter here is a weasel, simply because of his last name. Luckily this is supported by his pointed muzzle and ears, and of course his sneaky, amoral expression. Without these features, he'd look like an ordinary dogface, what with his flesh-tone fur.
Walter's clothing is all business, consisting of a blue suit, white shirt, purple striped tie, white gloves, brown shoes and a brown hat. His uncomfortably human-like hair is combed back and blonde, with a hint of small, disconnected mutton chops.
From what is known about him, it can easily be said that Walter is the only weasel that's truly heartless. He's a con-man, and takes advantage of an innocent woman's affections for him to get an expensive watch to sell at a pawn shop.

Final Thoughts
Once again, as the classic cartoon revival dies, Disney weasels spiral into the randomness they had in the ‘60s and ‘70s, as seen by the two most recent creations and those that come before it. It’s a wonder that after all this time, these varied, unusual characters with such a fascinating legacy and history have not been given the same treatment as other minor Disney characters. It could be simply a matter of being too understated in the works they appear in, and never getting a chance to be fully developed. Their impact seems small compared to so many others.
So why weasels? Well, if it weren’t for the widespread, if not deep effect that Mr. Toad and WFRR had on these interconnected characters, perhaps they’d only be as important as random foxes or wolves. But they are not- so many of them are based on a basic mold, but unlike Carl Barks’ dogfaces, they serve a much greater role than background filler. The majority of Disney’s weasels have very specific roots, and so it’s interesting to see when they deviate from them.
The Toon Patrol represents the epitomizing of Disney weasels, and their pinnacle- their distinctive personalities and costumes make them stand out from the crowd, imprinting themselves onto anyone who is a fan of the film- and yet they have a small fandom. Perhaps the biggest mistake Disney made was to kill them off, denying them the chance to make a real second appearance (although this didn’t stop them from making a couple of children's books).
That is the purpose of this guide- to reveal the underrated roles these characters play in the world of cartoons, and perhaps inspire more people to like them and thus give them the respect- and the chance- they never truly had. If anything, this guide is my two cents thrown into a wishing well.

In addition, I've updated the visual guide to any weasels from Roger Rabbit stories and the '40s, who would be able to appear in Toon Patrol fanfiction:
img.photobucket.com/albums/v428/tymime/Weasels/extraweasels.png
I intend to make a similar visual for all the others, which may take a little while...
And here are my scans of all of Pop Weasel's appearances:
smg.photobucket.com/albums/v428/tymime/Weasels/The%20Tree%20Trade/?action=view¤t=tree_trade1.png
smg.photobucket.com/albums/v428/tymime/Weasels/Tick-Lish%20Business/?action=view¤t=tick-lish1.png
smg.photobucket.com/albums/v428/tymime/Weasels/Fly%20Guys/?action=view¤t=fly_guys1.png
The third one has him only appearing on the first page, and in severely modified form, but I included the entire story in case anyone was interested in seeing how it goes...

Okay! That should do it for a while... whew... that was a lot of work.

[psychoangel51402]

Ahh! At last! I've been waiting SO long for this! Excellent job! Brilliant! Very well laid-out, so organized! Bravo! *wild applause*
I can use this information (not copy and paste, but as a guideline) for my site, yes? With research credits to you, of course...
I WILL NOT COPY THIS. That I want to make clear. I want to use the information as reference to make a simple list of sorts. Umm...I hope I'm making myself clear...if not, I can make a small sample to show you...

[Fatal hilarity]

I knew you'd like it. Thanks!
I honestly don't mind if you copy the whole darn thing, so long as you credit me for writing it. I want to spread it around... but if you don't want to, that's okay, too.
I admit that I can't quite picture what you'd do with it...

[jebikun]

This is AMAZING. I really really appreciate your work!!
It will be great if I ever get to draw them all together!

[Fatal hilarity]

Well, once I've gotten screenshots of all of them, which will take a LONG time- and I've considered making collages of the panels they appear in for easier artist reference- you should be able to do that!
But frankly I wanna do a great big group shot first...

[psychoangel51402]

Oh! Okay! I didn't think you'd want me to copy the whole thing! That would be SO much easier...and better...
What I had in mind was something like a "bullet facts" encyclopedia...it's really difficult to explain...
If it's alright with you, I would like to put a picture with each entry as well. I'd give you credit for those that I borrow from you, of course.

[Fatal hilarity]

That's fine. I don't mind being a "guest writer" at all.
You can use all of my images, with credit, of course. If I'm lucky, I'll have screenshots ready for all the ones I haven't shown yet...
Better yet, I might look for YouTube copies.

[psychoangel51402]

Of course! Of course! I will give you FULL credit!